The Greatness of Bela Tarr’s “Werckmeister Harmonies”

“The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.”_H.P. Lovecraft

I firmly believe that decades from now people will look back at the work of Bela Tarr in the same light as that of Tarkovsky, Bresson, Dreyerand, and Ozu- cinema of the highest order. To watch “Werckmeister Harmonies” is to look the unknown dead in the eye and see the insignificance of humanity and accept our inevitable mortality. This bleak vision of chaos attempts to reinvent cinema as we know it; and while doing so, it will make you question everything you know about the construct of society and the world around you. The imagery in this film is as daunting and intimidating as anything I’ve ever seen. It reminds me of the feeling you get when you look at the black emptiness of cosmic space. The more you attempt to grasp its vastness, the more you realize how insignificantly small you are. Watching this film felt like I was inadvertently peaking at something that is beyond myself. If there was ever a film worthy of the word life-changing, this is it.

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