Mike Leigh’s “Naked” could very well be the director’s most brilliant exercise of his unorthodox filmmaking approach. The script was created as the cast improvised during eleven weeks of rehearsal before shooting. Instead of just making a film about chaos, Leigh applied “chaos” in the actual making of his masterpiece. This may sound like an oxymoron, but Leigh chaotic filmmaking method displays a master in complete control of his craft.
It is said Leigh made David Thewlis read Voltaire’s “Candide”, the teachings of Buddha, the holy Bible, the Qur’an, and James Gleick’s “Chaos” so he could be well versed in completely destroying anyone’s belief system. Thewlis plays an unemployed wanderer who embarks on a nocturnal odyssey across east London. In his journey, he bumps into strangers and begins to completely destroy their faith in humanity by sharing his philosophical musings on life.
The eloquently spoken dialogue flows out of Thewlis like a man on a destructive mission to vent his frustrations with the world; his central performance is one of the most fascinating and captivating acts ever captured on film. “Naked” explores themes of misogyny, addiction, depression, capitalism, evolution, chaos and anarchy. It should not be missed.