Women’s mental health is the main focus of both Hideo Nakata’s Dark Water (2002) and Rose Glass’ Saint Maud (2019), two of the most unsettling horror films of the 21st century. In both films, the spectator is left wondering if any of the disturbing supernatural occurrences experienced by the two protagonists are in fact real,Continue reading “Gendered Madness – Phenomenology and the Ethics of Care in “Saint Maud” and “Dark Water””
The Cinephile Fix 